Advanced custom gesture

With the recovery of the global economy, Paris Haute Couture Fashion Week has again shown its steadfast posture. At the just-concluded Autumn/Winter 2011/2012 Paris Haute Couture Fashion Week, designers temporarily placed aside the issues that catered to customers and the market, unscrupulously displaying the cutting-edge avant-garde creative ideas.

Zhong Tianyang’s famous Parisian haute couture fashion week for the fall/winter period 2011/2012 finally came to a close on July 6th. Although the curtains have fallen, the haute couture show has only just begun. It will take a long time before you can be red in all parts of the world. The superb actress on the blanket showed her best posture before the spotlight.

Last year, under the impact of the global financial crisis, the brands represented by Christian Lacroix were all absent from Paris Haute Couture Fashion Week. However, as the economy recovers, the advanced customization that represents the top garment craftsmanship stands upright and stands firmly at the top of the fashion pyramid.

Haute Couture originated in Paris. Today's haute couture market is not so much a collection of beautiful artworks as it is the dream of a designer. Only here, designers can temporarily put aside the issues that cater to customers and the market, and unscrupulously demonstrate the creative ideas of the top avant-garde in the brain. Therefore, in such a show field, what you see must also be all sorts of extreme beauty: or if it is a star, or a radiant flirtatiousness, you can even see the shadow of the evil spirit.

Lace Tassels, Ellie Saab, famous for her luxurious evening dresses, is a fairy tale that continues to be staged this year. Following the flower-inspired inspiration from last season, this season is like a journey of pure fairyland. Supermodel Anja Rubik opens in a clear grey-blue dress. The rhinestones on the clothes are like morning dew, crystal clear. As always, the entire light and flowing dress is made of semi-transparent chiffon and gauze material, and there is no hint of thick autumn and winter.

The pale blue, white, nude pink, grayish purple, and sapphire blue, the Lebanese designer Elie Saab used these five colors to form the advanced custom series for Fall/Winter 2011. In addition to exquisite embroidered patterns, jewels and sequined lines, the designer also cut furs into small pieces this season and placed them on the chiffon skirts of the same color instead of the three-dimensional flowers. Thin as a fluttering dress with a slender high-heeled high-heeled shoes, each shape is like a delicate and delicate snow, crystal soft and beautiful people can not bear to touch.

Givenchy's advanced customization still takes the form of static presentations rather than catwalks, and continues to use the contours of the previous seasons. In addition, it uses a lot of perspective effects from the previous season. The inspiration for the men's wear that ended recently was Bird of Paradise. This time, Haute Couture showed the image of an angel who fell into the mortal world. The whole series uses holy white or pale gold, coupled with feathers, lace, tassels and chiffon, to make the overall effect more fresh and refined, giving people a sense of pure pouring down from top to bottom.

The front part of Valentino uses velvet to express the classical qualities of the noble and dignified, but splendid but not showy, of the old Russian nobles. In the latter stage, more elegant skirts are used to express new artistic ideas. The entire series is full of agility, giving people a sense of holiness that does not eat the world. One set of unique white dresses uses Chinese-style pairs of buttons to bring a lot of surprises.

Black Feather, Shine, Chanel Haute Couture Show is still the brand's most classic tweed suit, but when you see the wide straight shoulder line, rounded and slightly raised shoulders, waist to hip line open between The flared hem makes people feel that the elegant women wearing the Chanel suits instantly become tall and strong. This silhouette, which incorporates the strong feeling of men's wear, runs through this year's Chanel Haute Couture show: a fishtail-tailed, long-shouldered long coat, a loose sleeveless top over the hip, a knee-length suit jacket and a wide-legged flared trousers .

From black and gray to blue sky, if you look at this season's work, it will really make Karl Lagerfeld a dark fanatic. The jewellery decoration is a shining "star" against dark colors, a collage of fine jewels and sequins on the skirt, a wave of pearls on a blue tulle gown, and shiny gemstones on a suit gown. Striping... There are black tulle in front of the model, and the dark tulle long gloves on the bare arm cover reveal the mystery of women.

Remember the French Cancan dancers performing on the finale of Jean Paul Gaultier's Haute Couture show last season? In the 2011 Autumn/Winter Show, the brand's Haute Couture collection still features the addition of dance elements, but it is replaced with ballet, and the “black swan” created by the enchanting feathers seems to be more influenced by designer Jean Paul than the pure “white swan”. · The love of Jean Paul Gaultier. From feather hair ornaments, feather badges, feather fans to coats, cuffed jackets with feathers, shining black feathers are particularly enchanting, followed by a consistent witty and wild style. As early as the 1980s, Jean Paul Gaultier, who let men put on their skirts, once again designed a black and white feather dress, just like the peacock-like colorful feather print dress in the midfield. People are impressed by the magnificent show.

Cocooning and grotesque In fact, the highlight of this Haute Couture Fashion Week is Christian Dior, the only Haute Couture collection that was not designed by John Galliano for 15 years. When Bill Gaytten, a 23-year assistant, designed the new style, the new style caught the handle in a fashion circle that was inevitably tricked. "Obviously, Bill is trying to find Dior's new line and design style. Although he wants to introduce something new, Dior has been deeply impressed with the brand of Galiano and can't get rid of it," commented one British fashion media. Having said that, in terms of this season, the application of brilliant colors and spinning textures really left a deep impression.

Sakura designs, paper art hair ornaments, and kimono girdles... Giorgio Armani Prive's Japanese cultural elements in the Fall/Winter Haute Couture Show 2011 are all clear. Slim-slugging suits, nine-point micro-major trousers, knee-length satin skirts, and Philip Treacy, the hat master, make hair styling from traditional Japanese origami. Slim. The asymmetrical cut-outs such as blouses with inconsistent left and right sleeve lengths and sloping front plaits give the garment a slightly geometric silhouette. The satin girdle in the Japanese style kimono is bundled in a self-cultivation suit that outlines Dana's waistline. The elegant style of the Western style blends with the gentleness of the Eastern style.

Various colors are presented in different ways such as velvet, chiffon, and sequins. Such as Ukiyo-e's exquisite cherry blossoms, peony designs, or bold and bold colors, or on a light-coloured silk satin, the smudge effect is looming, and the oil-paper umbrella pattern is also The scallops are abstractly evolved into fan-shaped stripes printed on white silk satin and echoed with the folds on the skirt.

(Photos from the Internet)